Saturday, January 5, 2008

Buffalo Tom - A Sides from Buffalo Tom

All of my favourites on one record, 'Summer', 'Kitchen Door', 'Tangerine', 'Going Underground' Jam cover 18 great tracks, great record.

Buffalo Tom is an alternative rock band from Boston, Massachusetts, formed in the 1980s. Its principal members are guitarist Bill Janovitz, bassist Chris Colbourn, and drummer Tom Maginnis. The band's name is derived from the band Buffalo Springfield and the first name of the drummer, who is the shyest of the three. Combining the two is something of a joke among the members.

Dinosaur Jr guitarist/frontman J Mascis assisted with the production on the band's first two albums. J Mascis also played lead guitar on the song "Impossible" from Buffalo Tom's self-titled debut. Based on Mascis' input, early on the band was sometimes called Dinosaur Jr, Jr.

The band contributed the track "For All To See" to the 1993 benefit album No Alternative, and the track "Lolly Lolly Lolly, Get Your Adverbs Here" to the CD School House Rock! Rocks. Buffalo Tom's song "Sodajerk" was featured on the soundtrack to the 1994 television series My So-Called Life. They also wrote the theme song to the extremely short-lived 1999 sitcom The Mike O'Malley Show. In 1999 the song "Taillights Fade" was used in the Breckin Meyer/Elizabeth Berkley independent film Taillights Fade. They also recorded The Jam's "Going Underground" for the 2000 tribute album Fire and Skill: The Songs of the Jam.

Buffalo Tom is a perennial performer at the Hot Stove Cool Music concerts that benefit Theo Epstein's Charity, Foundation To Be Named Later. Other artists involved include Kay Hanley and Peter Gammons.

During 2007, Buffalo Tom performed at the South by Southwest Music Festival and went on a mini Summer tour with shows in Boston, New York City, San Francisco, and a few other cities. A new album, Three Easy Pieces, was released on July 10, 2007 through the New West label.

If anyone has a copy of Three Easy Pieces, I would appreciate you dropping me a line.

http://rapidshare.com/files/81620179/Buffalo_Tom_-__Greatest_Hits.rar

Beasts of Bourbon - Axemans Jazz

My favourite Beasts record, around this time I was living in Surry Hills, Sydney… Cleveland Street, just down the road from The Hopetown Hotel, in a flat over a Lebanese Pizza Shop. The flat had no windows and shared a bathroom with James Baker who had the flat next door. Never know a man who could drink more beer than James Baker and still play a set at full intensity and precision. James not so much gave me a cooy of 'Axemans Jazz' but launched a copy at me across the front bar of the Hopetown one Sunday afternoon. Yes the theme continues 'lazy hung-over Sunday afternoon'. Must be time for a 'hair of the dog'.

The Beasts of Bourbon's music has often been compared to that of a rougher Rolling Stones (whose 'Cocksucker Blues' they covered), The Gun Club (who they played with and who some Beasts filled in for) and The Birthday Party. In Germany, the band were described as 'Muddy Waters on crack'. Their music is a tough amalgam of country music, blues, rock and roll and punk parsed through the garage sound of The Stooges and the drunken mayhem of Australian pub rock. It often touches on themes of depravity, morbidity, despair, drug abuse and violence.

The initial version of the group included Spencer P. Jones of The Johnnys, Boris Sudjovic and Kim Salmon of The Scientists and James Baker of The Hoodoo Gurus. Recruited in large part because they were often found in the Southern Cross, an inner-city Sydney bar, these members form what is considered by some to be the 'classic' line-up. This lineup was featured on the band's first album, The Axeman's Jazz, recorded in 1984 in a single afternoon for one hundred dollars by Tony Cohen. The album was an excursion into deranged Gothic country and western, swamp-rock collision with a strong sense of irony and irreverence toward country music's clichés. A cover of "Psycho" was a hit on alternative radio. Although the album became an underground success, the band continued, for the time being, to be just a side project for its members until 1988.

http://rapidshare.com/files/81534507/Beast_of_Bourbon_-_1984_The_Axman_s_Jazz.rar

Nick Cave and The Bad Seeds - B Sides & Rarities


Continuing on my 'lazy hungover Sunday afternoon' theme. One mister Cave and the Bad Seeds. No introduction necessary....Birthday Party...... legend in Aussie Rock. This one has cool acustic versions of 'Deanna', 'Mercy Seat' and 'City of refuge'. 19 tracks in all Nick at his best.

http://www.mediafire.com/?5omn1j25myj

Iron and Wine - The Creek Drank the Cradle

Released in 2002, another record that gets a good workout at my place, especially on a lazy hung-over Sunday afternoon.

Iron and Wine's debut record, The Creek Drank the Cradle, is written, produced, and performed by Sam Beam and features only Beam's voice, a gently strummed acoustic guitar, some slide guitar, and the occasional banjo. Iron and Wine creates intimate and emotional songs, recorded bedroom-style but never letting the lo-fi get in the way of the tune. The obvious comparison has to be Lou Barlow/Sebadoh/Sentridoh, as they share the same breathy voice, melancholy outlook on life, and devotion to Nick Drake. The difference is that there are no traces of punk rock or noise for the sake of noise in Iron and Wine's music. Beam isn't interested in rocking out or obscuring the beauty that bursts from within his simple songs; he embraces it and lets his sadness twist in the wind for all to see. Besides, his vocal harmonies are more soft rock than punk rock. "Lion's Mane" opens the record and immediately takes your breath away as Beam's voice is so beautiful and his hooks are razor sharp. Every song that follows is just as memorable, Beam sounding positively angelic as he harmonizes with himself. "The Rooster Moans" is a chilling side trip into Appalachian folk; "Southern Anthem" a falsetto-led indie-gospel track with an absolutely soaring chorus. The simple musical backing never gets boring either, as there are musical hooks to match the vocal hooks — the banjo in "Lion's Mane," the double-tracked repeating slide at the end of "Faded from the Winter," the gently chugging rhythm of "Upward Over the Mountain." As soon as the almost jaunty, Neil Young-esque album closer, "Muddy Hymnal," ends, you'll want to hit repeat and start again.

http://www.mediafire.com/?dmy443e33hu

Rain Parade

Cheers to tricky, hank and ken many thanks

Got a bit of feedback and info regarding the previous post...

Anonymous said... There is one more record of "The Rain Parade", called "Demolition"! This CD contains mostly unreleased and alternative tracks of the album "Crashing Dream".

And check out the album of "Rainy Day" with many members of "The Rain Parade".

Also there's a solo-album of Matt Piucci from 2000 "Hellenes".

And don't forget the rare album of "Gone Fishin'" (Tim Lee & Matt Piucci) "Can't Get Lost When You're Going Nowhere" from 1982


One of the progenitors of "The Paisley Underground", catch-all term used to corral together a diparate bunch of American bands, writers and performers whose music filtered elements of 60's psychedelia with New Wave energy and a 1980's sensibility, Rain Parade were always a criminally underrated outfit. Using trailing fuzztone guitars and oblique lyricism that echoed such obscure legends as The West Coast Pop Art Experimental Band, "You Are My Friend" originally came from the mini-album "Explosions in The Glass Palace", which coupled with their debut album, "Emergency Third Rail Power Trip", is now thoughtfully housed on one Demon-CD. This was their finest hour; a subsequent move to a major label resulted in a live album with a picture of a gang of budgerigars on the cover. David Roback jumped ship and, after forming Opal with ex-Dream Syndicate bass person Kendra Smith, can now be heard providing the musical backdrops to Hope Sandoval's plaintive vocals in the wonderful Mazzy Star.

Rain Parade - Beyond the Sunset (Live in Japan)

http://www.mediafire.com/?0vlidhbtnmz


Rain Parade -Demolition (Sorry no artwork)

http://www.mediafire.com/?1b4vsbommsj




Rainy Day - Rainy Day

http://rapidshare.com/files/81429120/Rainy_Day.rar








Tim Lee & Matt Piucci - Gone Fishin'

http://rapidshare.com/files/81448634/Tim_Lee___Matt_Piucci_-_1986_-_Gone_Fishin_.rar


Long Ryders

help from peter & sonn

The Long Ryders were formed in late November 1982 out of the ashes of the Los Angeles punk scene. Kentucky born guitarist Sid Griffin left his band The Unclaimed after having bonded musically with former Boxboys drummer Greg Sowders at a jam session in a Mexican transvestite bar in Silverlake. The other guitar player was Steve Wynn but he left to form the Dream Syndicate whereupon Virginias Stephen McCarthy, a country music loving newcomer to L.A., stepped in after answering a Musicians Wanted ad in a local Korean newspaper.

The original bass player was Barry Shank but he quit to return to graduate school and was replaced by Australian Des Brewer. The band recorded and released an EP in 1983 produced by ex-Sparks guitarist and former Beach Boys engineer Earle Mankey called 10-5-60 and it was so well received they decided to tour. Des Brewer dropped out at this point and was replaced by Indianas Tom Stevens, a former candidate in the NASA astronaut space program in Houston.

EP 10-5-60

http://rapidshare.com/files/81357152/Long_Ryders__The_-_1983_10-5-60.rar

Signed to hip indie label Frontier the band recorded their debut LP Native Sons with Henry Lewy producing. Lewy had worked with the Flying Burrito Brothers on their classic Gilded Palace Of Sin LP as well as with the Association, Barbara Streisand, Van Morrison and Lewy had enjoyed a long studio partnership with Joni Mitchell. Together the Long Ryders and Lewy came up with an album called a modern American classic by Melody Maker and soon found themselves on the cover of the New Musical Express as well as playing live on the BBCs Whistle Test TV show.

Native Sons

http://rapidshare.com/files/81370977/Long_Ryders__The_-__Native_Sons.rar

After touring the USA for much of 1984 Europe was theirs for the taking in March/April 1985. Sold out gig followed sold out gig and the band were second only to The Smiths in the alternative charts of the day. Signed to Island Records in early summer the band released the album State Of Our Union in September 1985 and soon found themselves number one in the College Radio/Alternative charts for four weeks running in their native land. Their single Looking For Lewis & Clark crashed into the charts and became their signature song.

The following year was spent consolidating their success. In America REM told them soon as we get through making the Replacements famous you guys are next!, in Spain they headlined a Barcelona festival to over 100,000 which was broadcast live on national radio, in Canada the Toronto Globe & Mail called them the best thing to happen to roots rock since The Band, in Italy they played eighteenth century opera houses and gave press conferences as if heads of state and in Great Britain The Long Ryders were considered like family to their fans and a breath of fresh air to the UK's rock critics.

After a spring tour to work out new songs The Long Ryders released Two-Fisted Tales in early summer 1987. Produced by Ramones/Smithereens whiz Ed Stasium, it gave them a radio turntable hit with I Want You Bad and the touring began again. U2 asked them to open shows on the North American wing of their Joshua Tree tour and the high life beckoned.

Alas it was not to be. Bassist Tom Stevens left the road to be with his young family in August and by Christmas Stephen McCarthy was gone as well. Island asked Messers. Griffin and Sowders for another album but without their old compadres their hearts were not in it and they foolishly if honorably declined.

Anthology

http://rapidshare.com/files/81365866/Long_Ryders__The_-_1995_Years_Long_Ago_-_A_Retrospective.rar

Friday, January 4, 2008

Lloyd Cole and The Commotions - Rattlesnakes (Deluxe Edition)

repaying some debts ..... for peter (the time bandit)

Here is the Deluxe 2 CD set released in 2004. The deluxe edition includes the 10 original album tracks, the four tracks from the bonus edition and 14 additional tracks, including demos, concert and radio performances. Note the different album cover produced for the Deluxe Edition.

Formed in 1982 and signed to Polydor in 1984, the band was known for combining Clark's encyclopedic, yet often twangy, guitar savvy with Cole's low-key singing style. Their auspicious debut effort Rattlesnakes (1984) was initially dismissed as a "student bedsit classic", but now is regularly cited as one of the important works in rock music (and is much revered as a student bedsit classic...). Rattlesnakes, contained literary and pop culture references to such figures as Norman Mailer, Grace Kelly, Eva Marie Saint, Truman Capote and Joan Didion.

Paul Hardiman gave Rattlesnakes a clean and elegant production, and Anne Dudley (who had scored The Lexicon of Love for ABC) was brought in to provide the album's much-noted orchestrations. The album was scored with a keen desire to keep it elegant and avoid "schmaltz", and string arrangements began coming back into rock music in the years following its release.

The group produced two more albums, Easy Pieces and Mainstream, before disbanding in 1989, when Cole relocated to New York to record with various artists, including Fred Maher, Robert Quine and Matthew Sweet.

http://www.mediafire.com/?1dni1u5jyty

Oasis - Singles (Definitley Maybe & Be Here Now)

Love or hate these guys, maybe their pretense and egos outweigh their substance ( one must forgive them…they’re English) they write great songs sung with passion and abandonment. Following in the footsteps of their idols The Beatles, Oasis became a phenomenon in their home country in the 1990s. Taking the Fabs' template as a model, they added a thick wall of Pete Townshend-influenced guitars and stood at the vanguard of the mid-'90s Britpop movement, inspiring scores of imitators. While guitarist/songwriter/leader Noel Gallagher is responsible for penning several instant-classic pop songs, the press often focuses on the extra-musical hijacks and squabbles of he and his younger brother and Oasis lead singer, Liam. The constantly feuding brothers have threatened to split countless times (usually after one of Liam's public outbursts), but somehow they've hung together and kept things going against all odds.


Two files 7 singles, Definitley Maybe ( Cigarettes & Alcohol, Live Forever, Whatever, Supersonic) and Be Here Now (All Around The World, D'You Know What I Mean, Stand By Me) a Beatles and Stones song on the B sides.

Definitley Maybe - Singles
http://rapidshare.com/files/81350338/Oasis_-_Singles_Definitely_Maybe_.rar

Be Here Now - Singles

http://rapidshare.com/files/81342319/Oasis_-_Singles_Be_Here_Now_.rar



one for hank and bottlelow

The Lost Weekend CD is a celebration of contemporary Australian pop music and was released as a companion to a festival of the same name. Over the last 20 years, Australia has been the breeding ground to some of the world's best power pop bands, especially if you look at in on a per capita basis. Unfortunately, while bands like The Innocents, DM3, Chevelles and Pyramidiacs are able to tour internationally they still remain largely unknown at home. Hopefully The Lost Weekend CD will help rectify the situation. Featuring 23 bands from all over the country, it not only includes such legends but also the current contenders like Finkers, Michael Carpenter, P76, Challenger 7 and Superscope. Other bands to watch out for include The Richies, Quick 50, Dreamdayers and The Scruffs. The Lost Weekend easily achieves its aim, which is to highlight the quality and diversity of the Australian power pop scene.

Disc 1

http://www.mediafire.com/?3ozynkdb91g

Disc 2

http://www.mediafire.com/?ajms2z2zoyt

Opal - Happy Nightmare Baby

Opal were an American alternative/psychedelic band in the 1980s. They were part of the Paisley Underground musical style. The group formed in the mid-'80s under the name Clay Allison, featuring guitarist David Roback (previously of Rain Parade), bassist Kendra Smith (from Dream Syndicate) and drummer Keith Mitchell. After one single, they released the remaining Clay Allison tracks under the band's new name, Opal, on the 1984 Fell from the Sun EP. Another EP, Northern Line, followed in 1985.

Happy Nightmare Baby, Opal's first full-length album, was released in 1987. Smith left the group during the Happy Nightmare tour, effectively putting an end to the band. Roback continued with vocalist Hope Sandoval, and in 1989 this band became Mazzy Star. Kendra Smith released a number of solo singles, EPs, and one album before retiring to the woods of northern California. The song "She's a Diamond" was included in the film Boys Don't Cryfilm soundtrack. but was not included on the CD release of the record.

http://rapidshare.com/files/81263021/Opal_-_1987_Happy_Nightmare_Baby.rar

Various Artists - rooArt

rooArt was an Australian independent record label in the 1990s, founded by INXS's then-manager, Chris Murphy. The label's roster included several well-known Australian bands and artists such as Crow, Ratcat, Screaming Jets, You Am I,Wendy Matthews, The Hummingbirds, andAmanda Brown. Other bands which made early or first releases on the rooArt label included The Lab,The Fauves and Custard. rooArt released a series of compilation albums of new or then-unsigned acts, called Young Blood.

Here we have The Hummingbirds’Get on Down’, The Trilobites’Minibar of Oblivion’, Martha’s Vineyard’Old Beach Road’, Sean Kelly’Thank You Goodnight’, Tall Tales and True’Tiny Town’, Crash Ploitics’Whatever It Takes’

http://rapidshare.com/files/81210538/Various_Artisis_-_Rooart.rar

Paul Kelly - Deeper Water & Wanted Man


more from tricky

Deeper Water 1995

Personnel: Paul Kelly (vocals, acoustic & electric guitars, harmonica); Linda Bull (vocals); Randy Jacobs (electric guitar, background vocals); Shane O'Mara (electric guitar, steel guitar); Graham Lee (pedal steel, electric steel, background vocals); Kerryn Tolhurst (slide guitar); Bruce Haymes (keyboards, background vocals); Stephen Hadley (acoustic bass, bass, background vocals); Paul Ossola (acoustic bass); Peter Luscombe (drums, percussion); Matt Patuto (marimbas); Stan Mitchell (shaker); Ray Pereira (percussion); Rebecca Barnard (background vocals); Simon Polinski.

Producers: Paul Kelly (tracks 1, 3-6, 10-11); Paul Kelly, Randy Jacobs (tracks 2, 9); Kerryn Tolhurst (track 7); Paul Kelly, Kerryn Tolhurst (track 8); Paul Kelly, Simon Polinski (track 12).

Engineers: Simon Polinski (tracks 1-6, 8-12); Julian McBrowne (track 7).

Recorded between September 1994 and June 1995.

All songs written or co-written by Paul Kelly except "Queen Stone" (Maurice Frawley/Shane Walsh).

http://www.mediafire.com/?81rmtamt2bv

Wanted Man 1994

Rolling Stone "...Everything...on WANTED MAN reflects a singular voice; folk, reggae, midtempo rock, jazz-inflected pop and hard-edged ballads--Kelly swings them all..."
Musician "...Kelly's second indie release confirms not only his determination but his stature as one of music's most consistent and accurate songwriters....WANTED MAN sounds like the product of a well-rehearsed band with a songwriter who has a limitless well of inspiration..."

http://rapidshare.com/files/81082525/Kelly._Paul_-_Wanted_Man.rar

Pop on Top - The Cream of Australian Power-pop Crop

one from hank

A collection of Aussie power-pop from 1996

He's Not Around - The Chevelles 2.Stupid Dream – Even 3.Doggy - Jack & The Beanstalk 4.1*2* Devastated - DM3 5.Windmill – Superscope 6.3rd Times A Charm – Hub 7.Shameless – Flanders 8.10AM – Rosebuds 9.Sunshine Changes Everything - Early Hours 10.Insane – Rollercoaster 11.Just The Way – Epstein 12.Tuesday's Girl – Pyramidiacs 13.Just Gave In - Melcome Mat 14.Cheap Thrills - Tune Bureau 15.Run Like Hell - Summer Sums 16.Jenny - St. Jude 17.Wait A Lifetime - Challenger 7 18.Couldn't I Just Tell You - Hammerfish (previously unreleased) 19.Sweetness Meeting - Flavour Of The Month 20.Bye - Ice Cream Hands

http://rapidshare.com/files/80999387/Pop_On_Top__The_Cream_Of_Australia_s_Powerpop_Crop_.rar

Tripple J - Collection

all credit to cob, onya mate

Some thing very special from the land of Oz. The Triple J Hottest 100 is an annual poll of the most popular songs amongst its listeners. It has been conducted for almost a decade in its present form, and i
n 2005 it attracted 606,060 votes - the largest music poll in the world. It has also spawned a series of successful compilation CDs, and more recently, music DVDs. The countdown of the top 100 songs on Australia Day weekend, usually accompanied by a barbecue, has become an annual summer ritual for Triple J fans around Australia and around the world.

Hottest 100 Number 1 1992

http://rapidshare.com/files/80869293/hottest_100_1_disc_1.rar

http://rapidshare.com/files/80951254/Hottest_100_1_Disc_2.rar


Hottest 100 Number 2 1993

http://www.mediafire.com/?1noecij9u5f

http://rapidshare.com/files/81138191/Hottest_100_2_Disc_2.rar


Live at the Wireless is a long standing tradition of Triple J. It is a weekly broadcast of live music, of a number of forms - open air festivals, smaller concerts, or acoustic performances in the studio. Occasionally, Triple J will host a live performance in a secret location, and give away tickets to a limited number of listeners, to allow them to be a part of the special event.


First we have 'The Acoustic Sessions' recorded 92-93 (I think!) line-up including - Tex Perkins, Don Walker & Charlie Owen / Smudge / The Blackeye
d Susans / Ed Kuepper And Mark Dawson

http://rapidshare.com/files/80967458/Totally_Wireless_The_Triple_J_Acoustic_Sessions.rar

Next is 'Live at the Wireless' same era 92/93 with a selection of Australian and International bands, Violent Femmes / Beasts Of Bourbon / Faith No More / Falling Joys / Straitjacket Fits....... 19 songs in all

http://rapidshare.com/files/81035651/Tripple_J_-_Live_At_The_Wireless.rar


Hunters and Collectors - Box of Singles

Hunter and Collectors in full flight, 5 singles from Cut 1992 and Demon Flower 1994. Many many bands fill their B sides with out takes and live recordings, not the Hunnas, all quality here. Even comes with the CD art....... enjoy

Singles
- Back In The Hole
- Head Above Water
- Imaginary Girl
- True Tears Of Joy
- We The People

http://rapidshare.com/files/80980414/Hunters_and_Collectors_-_The_Singles_Collection.rar

Thursday, January 3, 2008

Discography - Rain Parade

many thanks to peter

Emergency Third Rail (Enigma) 1983
Explosions in the Glass Palace EP (Enigma) 1984
Beyond the Sunset (Restless) 1985
Crashing Dream (Island) 1986

If you have never heard of these guy you are missing a rare delight. Think of Rickenbacker guitars, vox amps, lush melodies. Think of The Doors, The Byrds...........

Among the L.A. groups dubbed Paisley Underground (Dream Syndicate, the Bangles, Three O'Clock), Rain Parade were the closest to being the real deal for their use of psychedelic flourishes throughout their first album. Formed in Los Angeles in the early '80s, the group consisted of David Roback (vocals, guitar), Steven Roback (vocals, bass) who had been in a band called The Unconscious with Susanna Hoffs (who went on to lead the most famous of the Paisley Underground bands, The Bangles, Matt Piucci (vocals, guitar), Will Glenn (keyboards), and Eddie Kalwa (drums). Their first single, "What She's Done to Your Mind," was a certifiable hit on college radio, and the band quickly followed with a full-length LP for Enigma in 1983, Emergency Third Rail Power Trip. For 1984's Explosions in the Glass Palace, the band lost David Roback to Opal. Later John Thoman took over and Mark Marcum filled in for the departed Eddie Kalwa on the live album Beyond the Sunset (1985) and Crashing Dream (Island, 1986) before disbanding. David Roback went on to finesse Opal into Mazzy Star with Will Glenn and vocalist, Hope Sandoval. Steven Roback and Thoman worked as Viva Saturn, and Piucci recorded an album with Crazy Horse -- yes, that Crazy Horse.


Emergency Third Rail

http://rapidshare.com/files/81112816/Rain_Parade-Emergency_Third_Rail_Power_Trip.rar

Explosions in the Glass Palace EP

http://rapidshare.com/files/81018404/Rain_Parade__the_-__Explosions_In_The_Glass_House.rar

Crashing Dream

http://rapidshare.com/files/81122672/RainParade_-_Crashing.rar

Beyond the Sunset

Don't have this one, wish I did.........


Jettie - Kites for Charity

one for hank

This time a band from Sweden, the album due for release later this month.

A band whose overseas critical acclaim has garnered press attention and fans the world over, JETTIE's sound is reminiscent to that of early REM or Scandinavian contemporaries Johan and Daryll Ann. A dark and stark, truly powerful and uplifting listen, JETTIE's brand of tortured yet anthemic pop brilliance is undeniably some of the best radio-friendly rock being made today.

Soaring like the most graceful of birds over grey clouds, JETTIE is an inspirational trip into the heavens. Having toured Europe w/ Hydra Head / Bad Taste artist LOGH and the US w/ New Atlantic and Waking Ashland on their last album, JETTIE is set to make their mark on the American public w/ "Kites For Charity" - an album that is sure to turn heads and once more focus even more attention on the amazing scene coming from Sweden's icy dark peninsula.

http://www.mediafire.com/?9nu4s5zzjz3

Sherwood - Different Light

To my ears a cross between All American Rejects and Blink 182.......not a bad combination. Sing along choruses, predictable and familiar........ I like it, well worth a listen.

On Sherwood's second full-length album, its debut on Myspace Records, the amiable ensemble, hailing from San Luis Obispo, California, goes for an even brighter and more buoyant sound than on their previous outing. Happily situated on the sunny side of the emo/punk-pop sound, the group clearly values catchy melodies over angst and indie cred, as revealed on the harmony-laden "Middle of the Night" and the soaring "Song in My Head."


http://www.mediafire.com/?4ckxeyoi4zt

Elvis Jackson - Summer Edition

A Slovenian ska punk hard core reggae metal band. Album "Summer Edition" was self released in January 2003 and is distributed in Slovenia by Slovene record label Multimedia Rec. Not my taste at all but a mate from Germany raves about these guys and I promised to post this for him. Cheers Marco pogo all around the flat mate.


http://www.mediafire.com/?akt4hesnwik

Caribou - Milk of Human Kindness

a request from my sister

Dan Snaith's UP IN FLAMES (recorded under the name Manitoba) was a surprise critical hit in 2003, and proved Snaith not only conversant with noise-heavy trance rock, electronica, and arty indie pop, but capable of synthesizing these elements with a vibrant, postmodern flair that brought something new to the mix. Two years and a name change later, Snaith (recording now under the name Caribou) reappeared with THE MILK OF HUMAN KINDNESS. On it he raises the bar significantly, widening his stylistic palette, opening up his productions, adding layers of percussion and effects, and creating a work of beauty and individuality.

MILK is quite atmospheric, with swaths of organic psychedelia, digital ambience, shoegazer guitar swirl, and metronomic, Kraut rock-inspired groove (the latter, especially, on "A Final Warning" and "Bees"). Snaith's vocal tracks fit nicely alongside the instrumentals. The restrained verses of "Yeti," the album's gentle-aggressive opener, and the minor-key folk drone in "Hello Hammerheads" somehow complement the hip-hop music box collages of "Lord Leopard" and "Narrow Pelicans." While this may all sound like random, stylistic overload on paper, the overall result--a pulsing, multi-textured, artfully conducted mind-ride--makes for an extremely rewarding listen.

http://www.mediafire.com/?ag1t501m4nm

Paul Kelly - Comedy

one more from tricky

Comedy is a double album recorded by Paul Kelly & The Messengers and originally released in 1991,. 17 tracks including, 'I Can't Believe We Were Married', 'Sydney From a 727' & 'From Little Things BigThings Grow'.

http://rapidshare.com/files/80893786/Kelly__Paul_-_Comedy.rar

Jeremy Oxley -

many thanks to hank - a man with impeccable musical tastes

Jeremy Oxley was the song-writer, singer and guitarist for 1980s Australian pop-rock band The Sunnyboys.

The band dissolved in '84 following internal dissent and industry disappointments. Jeremy went on to form the Chinless Elite in '85 to explore cover songs of soul legends; like Jimi Hendrix, Marvin Gaye, Otis Redding and Jimmy Cox/Eric Clapton.

In '86 came a call back to his musical club roots, and an EP was produced under the name of the Fisherman.

In '87 Peter, Bill and Richard were all playing in other bands, so Jeremy reforms the Sunnyboys with a new line-up. The album Wildcat released 3 singles. The band retired early due to an accident damaging Jeremy's hand. Recovering in early 90's, Jeremy re-formed the original Sunnyboys line-up for a re-union. They released 2 albums: Play the Best and Shak'n Live.

In '93 Jeremy returned again to writing a solo acoustic album, A Little Bit of You in Me.

After the Sunnyboys appearance at the Mushroom Concert in '98, Jeremy returned to the country to concentrate on his art. During that time he composed two CDs: Sanctuary 9, and Monastery.

http://rapidshare.com/files/80627945/Oxley_Ponytail_-_A_Little_Bit_Of_You_In_Me.rar

Silverchair - Frogstomp

still love this record, Tomorrow a classic Aussie Hit

Silverchair’s debut album, Frogstomp, was recorded in just nine days in early 1995.At the time of recording, Silverchair's members were only 15 years old. Frogstomp's lyrical concepts are fictional-based, mostly from television ("Pure Massacre", "Israel's Son", "Tomorrow"), hometown tragedies ("Faultline" was based on the 1989 Newcastle Earthquake, in which a childhood friend died) and perceptions of the pain of friends ("Shade", "Suicidal Dream").

A #1 hit in Australia and New Zealand, Silverchair went on to become the first Australian artist since INXS to hit the U.S. Top 10, selling more than 2.5 million copies throughout the world. As Frogstomp and "Tomorrow" propelled Silverchair to musical superstardom through 1996, the group juggled memorable performances on the roof of Radio City Music Hall and tours with Red Hot Chili Peppers alongside full time schooling commitments back home in Newcastle.

http://rapidshare.com/files/80716632/Silverchair_-_Frogstomp.rar

Primal Scream - Riot City Blues

Yes guys Primal Scream, this is not their dance, electronic incarnation but Stones, Black Crows influenced rock. After all Gillespie was the drummer in Jesus and Mary Chain. GYes it’s contrived and been done before but so what good guitar riffs are always welcome in my collection. Critics like to rubbish this band and yes they have served up some shit in the past, but this is a great album. If you liked their ’Rocks Off’ offering you will love this. Another record I play lots.

Primal Scream are a Scottish alternative rock group formed in 1982 in Glasgow by Bobby Gillespie vocal) andJim Beattie. The current lineup consist of Gillespie, Andrew Innes (guitar), Martin Duffy keyboards), Gary "Mani" Mounfield (bass), and Darrin Mooney drums). Barrie Coddigan toured with the band in 2006 as a temporary replacement after the departure guitarist Robert "Throb" Young. Young's permanent replacement has not yet been announced.

The band performed throughout 1982-1984, but their career didn't especially take off until Gillespie left his position as drummer of The Jesus and Mary Chain. The band became associated with the C86 scene, but eventually moved away from their more jangly sound and developed a more psychedelic, and later a dance-influenced sound. Their 1991 album Screamadelica broke the band into the mainstream. Despite multiple lineup changes, the band has remained commercially successful and continues to tour and record to this day.

On 2006's RIOT CITY BLUES, the revered U.K. alternative-rock band Primal Scream acts as if its late-1990s/early-2000s foray into electronica was nothing but a vivid dream, opting instead to pick up where '94's Stones-worshiping GIVE OUT BUT DON'T GIVE UP left off. With production handled by former Killing Joke bassist Youth and violinist Warren Ellis, a frequent Nick Cave foil, on board for several tracks, it's not surprising that the album often has a moody, angular sound (see the brooding "Little Death"), but frontman Bobby Gillespie's love of '70s glam and pub rock looms even larger, as on the searing Bowie-indebted "Suicide Sally & Johnny Guitar." Though it may perplex many fans, RIOT CITY BLUES is a fun tour through rock history, as seen through Gillespie's proudly blurry vision.
The debut single, "Country Girl", became the band's highest charting in their career, while the album charted at #5 in the UK. "Dolls (Sweet Rock and Roll)" and "Sometimes I Feel So Lonely" where also released as singles in 2006.

http://rapidshare.com/files/80836108/Primal_Scream_-_Riot_City_Blues.rar

The Freeloaders - Dead Before My Time & Through the Sound Barrier


thanking eternally yours

The Freeloaders were a Melbourne based group who play intense, passionate and melodic rock and roll with a strong debt to classic 60's garage punk, psychedelia, folk rock and the great rockers of the 70s like The Flamin' Groovies, Real Kids, New York Dolls, the Saints and Television. The group formed in Melbourne some time in mid '91. Three of the four original members - singer/guitarist Guy Lucas, Drummer Stewart Tabert and bassist/singer Ian Wettenhall had previously been three quarters of Australia's original rock'n'roll nomads, the Philistines, an internationally acclaimed garage/psych band who relocated from Hobart to Adelaide to Sydney to Melbourne in a brief life span that produced two classic mini LPs and one fine album. The forth original member singer/guitarist Sean Greenway, was previously in Melbourne teen-punk band God, a seminal group that also gave members to Hoss and The Powder Monkeys. This original lineup recorded the Something for Nothing single, a couple of compilation cuts and the bulk of the Sqalifacations album, which was completed after Ian's departure in early 1994. Shortly after the LPs release in late '94, Sean quit, forcing Guy and Stewie to regroup with bassist Dave Grey from numerous Adelaide bands, and guitarist Damien Smith from defunct Sydney band Beard. It was this superior lineup that cut the killer EP Dead Before My Time. It featured five tracks ranging from the bona fide punk rock classic that is the title track, to the closing stooges style workout , 'Get Some Sin. The EP highlights the killer dual guitars of Guy and Damien, the great songwriting of Guy and Dave and the despair ridden lyrics - of which Guy is the chief source. Since the EPs release in February 1996, the band has toured extensively in Melbourne, Sydney and Adelaide. They've had the honour of supporting spiritual forefather Fred Coles's band Dead Moon , opened for You Am I and supported Radio Birdman legend Deniz Tek as well as being stalwarts in the ever healthy Melbourne rock 'n' roll scene. On March 1st of 1998, Guy Lucas the singer, songwriter and guitarist for band died aged 31.

Through the Sound Barrier

http://www.mediafire.com/?234wnimvnnq

Dead Before My Time
http://rapidshare.com/files/80486157/Freeloaders_-_Dead_Before_My_Time__1995_.rar

Wednesday, January 2, 2008

The Triffids - The Black Swan

This was the last studio offering from the band. It was well received, but the success wasn’t overwhelming, which disappointed the band members. That, together with being tired from the constant travelling and touring, led to the band being dissolved. The group even made it to America in 1989 for a pair of New York dates before taking a much needed vacation – one which turned permanent.

We didn’t know they were final performances. Dave wanted to do a solo album and we were due to get back together after that. Much to his chagrin his solo album took longer than expected and he kept writing songs that sounded like Triffids songs. Domesticity snuck up on most of us, poor health snuck up on Dave, a planned ’94 reunion tour was put on hold, and the Triffids faded into the mist. - Graham Lee

The band's last Australian shows were towards the end of 1989, with the final show at the Australian National University in August, 1989. 1990 saw the release of the live Stockholm album, which completed the Triffids’ contractual obligations with Island.


Line-Up: Jill Birt (keyboards, organ, programming & vocals), David McComb (lead vocals, guitar, piano, organ, glock, & happy whistler), Alsy MacDonald (drums, tambourine, programming & claves), Graham Lee (lap steel, guitar, vocals & banjo), Martyn Casey (bass & vocals), Rob McComb (guitar, mandolin & harmonica) with guests Adam Peters (cello, organ & loops), Phil Kakalus (double bass, bazouki, percussion, guiro & guitar), Jack Embow (accordian), Rita Menendez (vocals), Stephen Street (drum machine & shaker), John Metcaife (viola), Helen Cummings (viola), Kathy Shave (violin), Louise Fuller (violin), Robert Wolard (cello), Richael Maguire (cello), Andrew Davies (double bass)

Release Date: April 1989

Production Credits: All songs recorded The Justice Room, Cathanger, Somerset, September-October 1988, mixed at The Fallout Shelter, London, November 1988, produced and engineered by Stephen Street, assistant engineer Giles Adam, assistants Ingmar King and Ed Buller

Notes: A film clip was made for the song Goodbye Little Boy. At the time of making this album Stephen Street declared it better than any of The Smiths records he worked on. This was after we had managed to get the notoriously clean living Street roaring drunk, however.

http://rapidshare.com/files/80705555/Triffids_-_The_Black_Swan.rar

Screaming Trees - Unreleased Demos

I’m a huge fan of these guys, personally I thick Mark Lanegan has the best voice in rock music. This recording here has songs not available anywhere. I don’t know where or when it was recorded but it has some of my favourite ST songs. One of my most loved and treasured recordings.

All members have moved on to other musical projects. Lanegan has released several highly acclaimed solo recordings, and was a part-time member of Queens of the Stone Age. Lanegan released Bubblegum, his latest solo album in August of 2004, and is working with former The Afghan Whigs leader Greg Dulli in a new project named The Gutter Twins as well as on-going collaborations under the Twilight Singers name. I have some songs from The Glitter Twins I’ll post later. In 2006, he released a collaboration with former Belle & Sebastian cellist Isobel Campbell entitled Ballad Of The Broken Seas to great critical acclaim.

Van Conner formed the band VALIS in 1998 with Dan Peters (of Mudhoney), Patrick Conner and Kurt Danielson. The group is currently on Small Stone Records and has released 4 albums. VALIS/Kitty Kitty, Vast Active Living Intelligence System, Head Full of Pills and 2005's Champions of Magic. After Dan and Kurt left the group they were replaced with Sean Hollister, Wes Weresch and Adrian Makins.

http://rapidshare.com/files/80658178/Screaming_Trees_1998_Demos.rar

The Slab - Covers

For some bands the 'kiss of death' to be labeled a 'covers' band. I can still remember seeing Powderfinger play at the Irish Pub in The Valley doing 90% Rolling Stones covers to a packed house of mostly beautiful women. I know in the bands I played in we usually had at least one cover in our set. My favourites from those days being 'Swampland' Scientists and 'Stepping Stone, Monkeys. These days I sit at home and play covers for myself...my favourites this week being 'Dead Flowers' Stones and 'Darklands' Jesus and Mary Chain.

So why do bands play covers? To respect their heritage, to surprise the crowd and it's fun. R.E.M, Pearl Jam, Oasis all play covers when they play live. So tonight in the second edition of The Slab I give you 24 of the best covers I can find. We have Nick Cave, R.E.M, Teenage Fanclub, The Hitmen, Sports, Paul Kelly, Nirvana, Foo Fighters, Iggy Pop, Dinosaur Jr, Johnny Cash, The Saints, The Stems to name a few. Again my favourite Ups and Downs doing 'Solitary Man' by Niel Diamond, if you have never heard this you have missed one of the modern wonders.

http://rapidshare.com/files/80680382/The_Slab_-_Covers_d1_.rar

http://rapidshare.com/files/80694764/The_Slab_-_Covers_d2_.rar

Music For Your Eyes - Videos


Something NEW folks……. MUSIC FOR YOUR EYES. I love music videos!! Back in my misspent youth I would come home on a Friday and Saturday night and collapse in front of ‘Rage’. Yesterday tricky reminded me of a video show by Susan Dowling. So a new segment is born

During my un-coordinated roaming on the net I have stumbled across many. Time to share a few of my favourites. Firstly a couple from Nada Surf, live at a show in Germany, only got these yesterday. Poster over there.

And some Aussie stuff from Powderfinger and Spiderbait. A bit of trivia for you, DAF from Powderfinger is named after the three chords used in the song…… enjoy, I did.

Nada Surf

http://rapidshare.com/files/80523274/Nada_Surf_Videos_-_Rocknacht.rar

Powderfinger

http://www.mediafire.com/?9rxbtdh1xde daf

http://www.mediafire.com/?df1jbmb2zzt my happiness

Spiderbait

http://www.mediafire.com/?6zj1nzgfnxm spiderbait(I forget which one....sorry)

Warumpi Band - Big Name No Blankets

a post by tricky

The Warumpi Band is an Australian band from the bush, coming from Papunya, Northern Territory, Australia.

The band was formed in 1980 by Neil Murray, a Victorian "whitefella" working in the region as a schoolteacher and labourer, George Burarrwanga, from Elcho Island, and local boys Gordon and Sammy Butcher. Over the years, many different people played in the band at various times. The only consistent elements were Murray and Burarrwanga, with Sammy Butcher generally being available so long as band commitments didn't take him too far from home for too long.

In 1983, the band recorded "Jailanguru Pakarnu", the first song using an aboriginal language in a rock'n'roll format. This created some mainstream media interest, and the band made a few trips to the big cities of Melbourne and Sydney for gigs and TV appearances.

In Sydney, they built up a loyal following in the Sydney northern beaches pub rock scene, and played as support to Midnight Oil. In 1985 the band released their debut album "Big Name, No Blankets", featuring the track "Blackfella/Whitefella".

In 1986, Midnight Oil and the Warumpi Band embarked on the "Blackfella/Whitefella Tour" which brought one of Australia's biggest bands to some of the country's remotest locations. The resulting Midnight Oil album, "Diesel and Dust" was an international hit and brought the issues of land rights and aboriginal reconciliation into the national spotlight.

The Warumpi Band recorded their second album, "Go Bush!" after the tour, but the strain of balancing family commitments with the band took its toll and they were unable to capitalise on the groundswell created by the Blackfella/Whitefella tour.

Neil Murray embarked on a solo career in 1990, though the band still reunited when it fitted in amongst their other activities.

1996 saw the release of their third and final album "Too Much Humbug", and a renewed (if brief) commitment including a European tour. Burarrwanga is reputed to have arrived in Paris and been amazed that people in this so-called civilised nation couldn't even speak English - after all, he himself spoke nearly a dozen different languages of the north of Australia.

In the following years, reunion gigs were sporadic, generally for festivals and other one-off appearances. In 2000, Neil Murray decided enough was enough and retired from the band for good, concentrating on his solo career which by that time had produced several critically acclaimed albums.

George Burarrwanga continued to perform as a solo artist, and released an album. In 2007, he returned to his "Island Home" when lung cancer took him, and he passed away on June 10th of that year.

Sammy Butcher remains heavily involved with a recording studio in Alice Springs, bringing the opportunity to record to outback youth. He has also recorded an album of instrumental guitar songs.

http://www.mediafire.com/?dtjxzgmx0kz

Ben Lee - Covers Against Me 'New Wave'

Lee's solo career started at the age of 16, while he was still in Noise Addict. He began recording his first solo album, Grandpaw Would, in both Sydney and Chicago with producer Brad Wood. This was followed by the 1997 album, Something to Remember Me By, also produced by Wood. 1999's Breathing Tornados marked a new direction for Lee as he introduced synthesizers and increased instrumentation into his sound. The album was a success in Australia, with the first single, "Cigarettes Will Kill You", finishing second in that year's Triple J Hottest 100. Lee also enjoyed success with the single "Something Borrowed, Something Blue" from the album hey you. yes you.. It reached #22 on the 2002's Triple J Hottest 100.

In late 2004, Lee left Steve Pavlovic's Modular Recordings and started up his own record label, Ten Fingers. The first release on the label was the single, "Gamble Everything for Love", followed by the album, Awake Is the New Sleep in February 2005, which went double platinum in Australia. A defining release in his career, the album showcased a much brighter, positive side of Lee's personality, in contrast to his previous darker musings. Awake Is the New Sleep received several nominations for the 2005 Australian Recording Industry Association (ARIA) awards, and Lee won Best Male Artist, Best Independent Release, and Single Of The Year for Catch My Disease, which Lee wrote with Mcgowan Southworth. Catch My Disease also went to #2 on the 2005 Triple J Hottest 100. In addition, the song was featured on the soundtrack to the 2005 film, "Just Friends," as well as the soundtrack to the television series, "Grey's Anatomy". In 2006 it was used in a television commercial for Dell Computers. On Sunday, March 26th, 2006 Lee performed We're All in This Together from his latest album Awake Is the New Sleep at the closing ceremony of the 2006 Commonwealth Games. The single for "We're All in This Together" was released on the 8th of April, 2006. The CD includes b-side cover versions of the song by Pony Up, Holidays On Ice and Gelbison.

He has a mixed reaction in Australia. The Ataris criticize Ben Lee in a song of the same name, citing his music being "pretentious noise" and that he was lucky that he knew the Beastie Boys. Some of this criticism stems from the Bob Dylan-esque songs Ben plays and writes. Australian band Klinger also had a track titled Ben Lee with similar sentiments.

Powderfinger lead singer Bernard Fanning infamously called Lee a "precocious little c**t", but during a live broadcast on Triple J radio of the 2005 Hottest 100 at the Sydney Big Day Out, he was heard to retract the comment. Lee came second in the countdown to Fanning with the track "Catch My Disease."

What we have here is a 2007 recording of Lee covering the entire record of Against Me ‘New Wave’.

http://rapidshare.com/files/80602051/Lee__Ben_-__Sings_Against_Me__New_Wave.rar

Hoodoo Gurus - Bite The Bullet


One week prior to leaving for another tour of Brazil the Hoodoo Gurus issue a press release announcing that 1997 will be there last year together as a band. There are no reasons for calling it a day other than it just feels like the right time to do so. The press release ends with: “The Hoodoo Gurus wish to thank all of their fans who have supported them over the past fifteen years. It’s been quite a trip.” The Hoodoo Gurus’ farewell (“for a while”) public performance is at the Palace in Melbourne on January 11.

Bite the Bullet captures the Gurus live during their “farewell tour’. So much for yesterday. The Gurus have signed a deal with a company called Virtual and been given their own label on which to release the back catalogue and the Tunnel Vision DVD. The remastered 'Stoneage Romeos', with the original Australian cover and the bonus b'sides came out last October as did 'Tunnel Vision'. All of the other albums (except 'Mars' and 'Blow Your Cool') will be released for digital download as well. They are currently touring Australia with Radio Birdman and The Stems. Long live the Gurus.

http://rapidshare.com/files/80514534/Hoodoo_Gurus_-_Bite_The_Bullet.rar

Radio Birdman - Zeno Beach

Many thanks tricky and original uploader

The NEW RECORD............ enjoy history being rewritten

Radio Birdman are, and always have been, independent of the mainstream music industry. The new recording, as well as their live performance schedule, is totally self-financed and self-directed. They owe nothing to anyone. They see their independence as essential to maintaining complete artistic freedom. What you hear is solely the creative output of the band - not a marketing strategy.

One of the truly legendary Australian bands of the late '70s prove in this, their first new recordings as a group in decades, that they are still masters of high energy rock and roll. From the opening chords of "We've Come So Far (To Be Here Today)" the music never lets up in it's sheer intensity. Do yourself a favor, buy the CD and play the song "Connected" so loud that your sound system reaches critical mass. Then replace the now destroyed stereo and DO IT AGAIN!!!

Jim Dickson - bass
Russell Hopkinson
- drums
Pip Hoyle
- keyboards
Chris Masuak
- guitars
Deniz Tek
- guitars
Rob Younger
- vocals

http://rapidshare.com/files/80492682/Radio_Birdman_-_Zeno_Beach_d1_.rar

http://rapidshare.com/files/80502038/Radio_Birdman_-_Zeno_Beach_d2_.rar

Tuesday, January 1, 2008

Blah, Blah, Blah

Hi to all...... internet server still 'on the blink', can't download, hard to access blogger and upload really slow......... all in all testing my patience..........the joys of living in Thailand......... doing my best to keep the music flowing

thanks to bobbie, welcome to the family...great links.....

A few requests

Cob has a few requests:

Caligula
Headless Chickens
Underground Lovers
Clouds

Thanks, Bruce and other Maddies!



bottelow after any newish Ed Kuepper

from mel - Tim Rogers - Luxury of Hysteria
Belles Will Ring - Mood Patterns

Paolo said... Musica eccellente.
I would love to see if you could upload:
Porcelain Bus - Sacred relics
Lizard train - Slippery


and don't forget tricky and mailee requests over on the left

If you can help! Please do...... leave a message here..... remember folks 'you reap what you sow'

again thanks to hank, tricky, bottelow and cob for sharing

peace and love

b



Ed Kuepper - Character Assassination

Hot Records, Released August 1994

Produced by Ed Kuepper and Phil Punch

In some territories released as a double cd with Death To The Howdy Doody Brigade as the second disc.

Musicians:
Ed Kuepper - acoustic, electric and elastic stringed guitar, some bass, a bottle and vocals
Mark Dawson - drums, percussion
Barry Turnbull - some ba
ss
Linda Neil - violins
Naomi Star - backing vocals
Toni Mott - backing vocals
Miroslav Bukovsky, Julian Gough and Herb Cannon - horns
Charlie McMahon - didgeridoo
Jim Conway - harmonica and jew's harp
Peter Burgess - washboard

http://rapidshare.com/files/80472826/Kuepper__Ed_-_Character_Assassination.rar

The Acoustic Lounge - Nada Surf




First commercial release in 1985 Nada surf have a discography of 48 album edits, 36 singles and have had songs on 62 compilation records. Up until a couple of days ago my knowledge extended to their 1996 single 'Popular'. I'm now a fan of this three piece, they produce well structured, melodic , power pop gems. I've been busy hunting for stuff on the net and I've found videos and bootlegs galore. What we have here is a selection of songs from live acoustic sets they did in 2006 during a European tour. I've also added a live version of 'Popular'. I hope you enjoy this as much as I do. bruce

http://rapidshare.com/files/80450499/Nada_Surf_-_Acoustic_Lounge.rar

The Hit Men - Tora, Tora, Tora

Radio Birdman backup singer Johnny Kannis first formed the group as Johnny and the Hitmen in 1977. They recorded three songs and released two of them as a 7" under Johnny's name in 1978. When Radio Birdman's European tour went awry in 1978, some of its members joined Kannis band. The group began touring, and signed to Warner Bros. Records in 1979, releasing their first single in July of that year. A second single followed the next year, and in December 1980, the band entered the studio. The result was 1981's self-titled full length, released in July, and the group supported Steppenwolf on an Australian tour.

In 1982, the group left Warner Bros. Records and signed to RCA Records, quickly releasing a follow-up LP that ended up selling poorly. When Iggy Pop toured Australia in 1983, three of The Hitmen and one member of The Celibate Rifles were selected as a backing band to Radio Birdman singer Rob Younger, who was picked as the opening act (as The New Christs). Kannis went on the road with a new band, Johnny Kannis and the Night Train, during this hiatus. Kannis was injured in a car accident on tour and was out of commission for over a year; the group broke up shortly after a farewell tour once Kannis was well again. Following this was a live album, Tora Tora DTK, for which the band did a few one-off shows in 1985.

Towards the end of the 1980s, Kannis re-formed the Hitmen with a new lineup as the Hitmen DTK. After one EP, the lineup changed yet again, and in 1991 another LP followed after recording sessions in Austin, Texas. The group toured Australia opening for Dark Carnival, but broke up, this time for good, soon after. Past members include Ivor Hay(The Saints), Brad Sheperd, Clyde Bromley, Mark Kingsmill (Hoodoo Gurus)

  • Peter Banesevic : Guitar
  • Clyde Bramley : Bass (1978)
  • Alan Brown : Drums (1978)
  • Charlie Georges : Guitar (1977-78)
  • Warwick Gilbert : Bass, Guitar (1977-78, 1981)
  • Steve Harris : Keyboard, Guitar (1978)
  • Ivor Hay : Drums (1978-79)
  • Richard Jakimyszyn : Guitar, Vocals (1984)
  • Johnny Kannis : Vocals
  • Ron Keeley : Drums (1977)
  • Mark Kingsmill: Drums, Vocals (1979-84)
  • Chris Masuak : Guitar, Vocals
  • Angie Pepper : Vocals (1977-78)
  • Geoff Peterkin : Drums (1979)
  • Lynne Phillips : Vocals (1978)
  • Tony Robertson : Bass, Vocals (1982-84)
  • Brad Sheperd : Guitar (1981-82)
  • Phil Somerville : Bass (1978-79)
  • Tony Vidale : Guitar (1979-81)

http://rapidshare.com/files/80442453/Hitmen_-_Tora.rar

Monday, December 31, 2007

Ratcat - Blind Love


Only saw these guys play once, support to The Cult at East Leagues Club. Was never a great fan BUT ‘That Ain’t Bad’ is a classic Oz single. If you never heard this song get the album, you will have the tune in your head for days.

Ratcat formed in 1986 in Sydney, and were a mainstay of that city's live music scene until they were eventually signed to Waterfront Records, where they released a self-titled EP, several singles ("I Think I Love You", "Baby's Got A Gun"), and their debut album, This Nightmare in 1989. Another EP, Killing Joke, and another single, "Saying Goodbye" followed.

In 1990, the band signed to the rooArt label. Their first release for their new label was a 6-track EP called Tingles. A combination of budget pricing and catchy A-side "That Aint Bad" saw the Tingles EP reach #1 on ARIA's alternative charts, and shortly afterwards, the top of the Australian national chart. The band's subsequent album, Blind Love, and the singles "Don't Go Now" both reached #1.

http://rapidshare.com/files/80437526/Ratcat_-__Blind_Love.rar

Ups and Downs - Underneath The Watchful Eye

Brisbane band Ups and Downs played a brand of ethereal, well-crafted, jangly guitar pop that called to mind Australian post-punk icons The Church. The bands influences also extended to overseas groups like Cocteau Twins, REM, Siouxsie and The Banshees and The Flamin' Groovies.

Indeed, the name Ups and Downs was derived from a track on the Flamin' Groovies 1978 album, Now.

Brothers Greg and Darren Atkinson got their start in late 1970s power pop band 42nd Street. Ken Allen (guitar) and Neil Coombe (guitar) completed the line-up.

42nd Street issued one single, Work It Out, on the Virgo Seven label in 1979 and also contributed a track called Mistaken Identity to radio station 4IP's various artists compilation album, That's Queensland.

42nd Street made little impact beyond the Brisbane scene and in 1983 the Atkinson brothers formed Ups and Downs as a three-piece band with Peter Hamilton-Shaw (guitar) joining soon after to round out the sound.

The band issued it's debut single Living Inside My Head on the Basketcase label in December 1984.

Ups and Downs then issued a second single called Perfect Crime on Basketcase before venturing down to Sydney. The Waterfront label re-issued Perfect Crime in September 1985, by which time Ups and Downs had built-up a strong cult following on the Sydney inner-city music scene.

The bands second single on Waterfront, In The Shadows in April 1986, was a gorgeous slice of harmony-drenched guitar pop and one of the best independent singles for the year.

Ups and Downs signed a new deal with the True Tone label (through PolyGram) which resulted in the release of the mini-album Sleepless in August 1986 and the single The Living Kind. To coincide with the singles release, Ups and Downs supported US visitors The Flamin' Groovies on their Australian tour.

In 1987, Trevor O'Neil joined the band on keyboards, which gave the band an even more spacious sound. By the end of 1987, Ups and Downs had signed with the Mushroom label.

The band entered Sydney's Paradise Studios in March 1988 to record their debut album Underneath The Watchful Eye. Mushroom issued the singles Lit By The Fuse and Moments Away before the album appeared in November.

Underneath The Watchful Eye was a strong showcase for the band's song writing skills and musical adventurousness. Founder member John Flade left the band in June 1989.

The band ended its Mushroom association later in the year and moved to the Volition label for the 12" EP Rash (1990). By the end of the the year the Atkinson's had split Ups and Downs to form the decidedly noisier outfit Big Heavy Stuff.

http://rapidshare.com/files/80427844/Ups_and_Downs_-_Underneath_the_Watchful_Eye.rar

Celibate Rifles - The Turgid Miasma of Existence & Beyond Respect

The Celibate Rifles were formed in 1978 by friends at a suburban Sydney high school. Their first full album "Sideroxylon", was released in April 1983 by HOT Records, showcasing eleven original songs full of energy, wit and disrespect for fashion.

1984 was spent recording a number of singles and also releasing their second album "The Celibate Rifles" (aka "5 Languages") to critical acclaim, containing some of the bands most requested live songs to this day.

During 1985 and 1986 the band toured extensively, saw their first two albums compiled for release in the USA and the UK ("Quintessentially Yours" and "Mina Mina Mina"), and also released a third album "The Turgid Miasma Of Existence". Critic David Fricke of Rolling Stone Magazine USA wrote: "At a time when most punk outrage is just witless spleen at 90 mph, these Aussie spitfires have fired off a release that shakes with lyric force and experimental valour, not just speed and volume." Members of the band would later play in The Eastern Dark.

The Turgid Miasma of Existence (1986)

http://www.mediafire.com/?cgs9wnkjyk1

Beyond Respect (2004)

http://rapidshare.com/files/80315986/THE_CELIBATE_RIFLES_-_Beyond_Respect.rar

The Celibate Rifles current line up is; Damien Lovelock Vocals and deadly striker - Kent Steedman Guitar and Ginola like left winger - Dave Morris Guitar. Right flanker. Runs like the wind - Paul Larsen Drums. Went to school with Max Krillich. - Mikey Couvret Bass. Throws Alan Thompson torpedo pass.


New Christs - Distemper

After the breakup of Radio Birdman in 1978 Mr Rob Younger took it upon himself to start looking for a new band.He eventually emerged with the Other Side.The Other Side basically played covers of obscure songs.There were a few originals thrown in but not many.The Other Side didn't last long with other members going on to other projects. Once again Rob Younger was left again with no band.

It was 1980 now and Rob Younger had formed what would be the nucleus of the New Christs.The band rehearsed for several months but really didn't do anything.However Bruce Calloway the guitarist at the time wanted to put something on to record.So in January 1981 the New Christs recorded 2 songs which were put out by Green Records(1000 copies).Amazingly the single sold out even though there was no band to promote it.This single now has become a firm favourite amongst collectors.It was reissued in 1990 by Pink Flamingo Records.

The New Christs didn't appear again until a phone call was placed to Younger wanting to know if he would form a band as a support to Iggy Pops upcoming tour.Rob assembled in my mind a ferocious line-up!! Masuak and Steedman on guitars, Robertson on bass, Kingsmill on Drums. Steedman's place would later be taken by Richard Jakimyszyn as Steedman had commitments with the Celibate Rifles. That line-up recorded four songs Like A Curse,Sun God,Born Out Of Time and No Next Time which are considered classics.

After that 4 members of the band went on to the Hitmen which once again left Younger in the lurch.

From that day the New Christs have played with so many different line-ups I can't even remember them all.They continued recording and touring as much as they could. They still are playing to this day which shows the stamina of this band and with a new album being completed at the moment I can only hope for another tour and another run of great concerts is waiting.

http://www.mediafire.com/?fwffczjt3cy

New Race - Last Stand


April 1981: Deniz Tek, Warwick Gilbert and Rob Younger join forces with Ron Asheton(STOOGES) and Dennis Thompson(MC5) and the New Race concept was born.

The band was booked to do 16 shows across the East Coast of Australia.

Plenty of these shows were recorded in anticipation of a live album being released after the tour. The gigs were packed and people came from everywhere to see the band play."Welcome to the Event" as quoted by Deniz Tek and an event it certainly was!

It took the band 4 or 5 shows to get into it but after that the gigs were dynamite.

Most of the songs they played were Radio Birdman originals with the remainder being a mixture of Visitors,Stooges,MC5 and Destroy All Monsters covers.

After all the shows were finished Asheton & Thompson returned to America to continue with their commitments’ think Deniz Tek's idea for the title of the Lp was very appropriate as the tour was a one off deal.

http://rapidshare.com/files/80303976/New_Race_-_The_Last_Stand.rar

Radio Birdman

First post of the New Year.......

Australia 1974, I was in Grade 12, Abba's 'Waterloo" was number one on the charts and....... along came Radio Birdman

Deniz Tek and Rob Younger formed Radio Birdman in mid-1974 in Sydney, having recently left their bands 'The Rats' and 'TV Jones' respectively. The pair sought to begin a band that would have no commercial interest and break the norm at the time, so they recruited classical keyboard player Phillip 'Pip' Hoyle, drummer Ron Keeley, bassist Carl Rorke and took their name from what sounds like "Radio birdman up above" in the Stooges song "1970". (Lyric sources list this as "Radio burnin' up above", and the Damned's version of it uses that. But, considering that "1970" shares the rhyme "...up above/...be my love" with Chuck Berry's "You Can't Catch Me", which is about a radio birdman of sorts being up above, [in a "Flight DeVille" with its "hideaway wings" extended and "radio tuned to Rock'n'Roll"], "radio birdman" probably was not a mispronunciation in "1970", but rather, a tribute to that earlier flight of fancy.)

After being rejected many times from various venues, Radio Birdman found a pub in Taylor Square, Sydney and eventually took over its management, naming it The Oxford Funhouse. Under their management, the Funhouse became a home to any and all groups with musical tastes similar to the band. Not long after the opening of this venue, Carl Rorke left the band and was replaced by long time friend of Rob Younger, Warwick Gilbert (also a former 'Rats' member). Also to temporarily leave the band would be Phillip Hoyle, and though his departure was short lived, this was how Radio Birdman came across guitarist Chris Masuak.

Soon, a culture of Radio Birdman was developing in the underground, people started to dress differently, followed the Birdman symbol and the Oxford Funhouse was their home. This was the beginnings of the Sydney punk scene. Using the Funhouse as a base of operations, Radio Birdman recorded a crude, low budget EP, 'Burn My Eye.' Their first album 'Radios Appear' at Trafalgar Studios in Annandale owed much of its style to Detroit bands of the late 1960s, such as The MC5 and The Stooges. Though the album was totally ignored by commercial radio, it was championed by Sydney station 2JJ (Double Jay). Sales of this album were initially limited due to the fact that they were recording using a private label. Shortly after initial release, WEA took on the album and gave it a wider release however sales remained limited due to a lack of commercial support. Promotion could have been also somewhat inhibited as some fans felt the recordings lacked the ferocity and immediacy of the live shows and did not represent their experience of the band.

Radio Birdman - Living Eyes

http://rapidshare.com/files/80324518/Radio_Birdman_-_Living_Eyes__Remix_.rar

The band remained underground, but began to travel far from Sydney to perform their shows, it was at this time that keyboard player Phillip Hoyle returned to the band. When Sire Records president Seymour Stein came to Australia to sign up fellow punk band The Saints, he saw Radio Birdman play and immediately invited them to join his label. Under this new label, Radio Birdman released a new version of Radios Appear featuring a mixture of re-mixed, re-recorded and some new material. Comparisons between the two versions of the album are disputed with some feeling that the second version is a more accurate reflection of the band's sound. Most fans however own both versions and simply treat them as two separate and different recordings.

With the commercial release of this new album, the underground punk scene Radio Birdman was a part of began to attract some groups with negative agendas; namely biker gang, Hells Angels. With this new, more violent and rowdy crowd, the Funhouse was at the point of overflowing. The band was blamed for violent incidents occurring at the Funhouse, so in mid-1977, they left Sydney and took a break from music, instead pursuing educational goals.

The band returned half a year later and performed their most famous show to date at Paddington Town Hall alongside The Saints. Two thousand people supposedly packed into the venue (in fact film of the event suggests a few hundred at most) and tracks recorded from the show would later be included on numerous other Radio Birdman recordings. After this show, the band began their European tour, but their overseas success was short lived as Sire Records began having financial difficulties and were forced to drop Radio Birdman from their label. On the other hand Tek has apparently claimed that Stein offered to support the band if he and Hoyle would defer their medical studies for five years, but that they both refused (see Vivian Goldman's biography of the band).

Without a label, the band struggled to progress musically. As one last sendoff they recorded their second album 'Living Eyes' in Wales which has had a late release in the early 80s. Radio Birdman played one last show at Oxford University, after which the band split up. The underground punk scene of Sydney was shocked by this, as the band had only been together for 4 years, but many felt that they had made their mark well enough on Australian musical history.

All six members went on to other bands. Younger's New Christs was more oriented towards hard-edged, blues-based rock and roll. Tek and Keeley with keyboardist Pip Hoyle's band, The Visitors, and guitarist Chris Masuak and bass guitarist Warwick Gilbert's The Hitmen continued the Radio Birdman sound. Tek, Younger and Gilbert played in a one-shot touring band called New Race, with Dennis Thompson of the MC5 and Ron Asheton of the Stooges. They released only one album, The First and Last. A non-musical LP, "Soldiers of Rock 'n' Roll", was released in 1982. This strange album, described by the record company as "an audio documentary of Radio Birdman", was released after Deniz had quit music for flying, and was assembled by the people at Trafalgar Records, like a soundtrack for a documentary movie which was never made.

Radio Birdman - Murder City Nights

http://www.mediafire.com/?dd2zlqe1jlz

In a huge surprise for fans, all six members of Radio Birdman reunited for the Big Day Out tour in 1996 and again in 1997. Since then Radio Birdman have continued to perform sporadically. In 2002 Warwick Gilbert was replaced by Jim Dickson who had previously played with the New Christs, Louis Tillett, the Passengers, the Barracudas and Deniz Tek. Drummer Ron Keely left the band in 2004 after the band's performance at the Azkena Festival in Spain, and was temporarily replaced by Nik Reith, formerly of the Celibate Rifles, Tumbleweed, the New Christs and the Deniz Tek Group. He was replaced after six shows by You Am I drummer Russell Hopkinson.

Radio Bird - Radios On

http://rapidshare.com/files/80420575/Radio_Birdman_-_Radios_On___1996_.rar


The year 2006 has seen much activity by Radio Birdman, spearheaded by the completion of a new album entitled Zeno Beach, released in Australia on June 24th, 2006 via the band's own Crying Sun Records, and in the US via Yep Roc Records on August 22nd. Named for the closing track, a surf-rock tune written by Hoyle, Zeno Beach was recorded in Sydney in December of 2005, produced by guitarist Deniz Tek and engineer Greg Wales. Carl Rorke, one time Radio Birdman bassist, died the year of the new albums scheduled release, and it was completed in his memory.

Following a February tour of Australian capital cities, dates in support of Zeno Beach for Australia, New Zealand, Europe and the US have been announced, commencing 27 July 2006 in Sydney, and ending on 7 October, in Spain. Many Australian dates feature LA soul/punk band The Bellrays as support act. In March 2006, Radio Birdman hosted an Australian rock history exhibition in Sydney, featuring many artworks inspired by Radio Birdman. Many of the bands memorabilia, including guitars, were auctioned on the opening night. In September 2007 featured in the Clash of the Titans tour alongside The Stems and Hoodoo Gurus which launched in Sydney at the Enmore Theatre and included dates in Melbourne and Brisbane.

If any has a link for ZENO BEACH.......... please share

The Mutton Birds - Rain, Steam and Speed & Flock'Best Of'

thanks to hank & Fun Lovin Tunnel Jacket

Alan Gregg left the band in mid-'98, replaced by the first English Mutton Bird, Sheffield-raised, London-based Tony Fisher. The new line-up spent the latter part of the year working on their next album.

"Rain, Steam & Speed" was released in February 1999 on manager Steve Hedges' own Shhhh! label to fantastic reviews. Further touring followed, and despite use of the lead single "Pulled Along By Love" in Channel 4 advertising, the album's commercial success failed to match its critical triumphs.

A further line-up change, with Andrew Claridge replacing Chris Sheehan on lead guitar, occured in 2000 in the lead-up to the Mutton Birds' final UK tour, which climaxed with another sell-out show at the Shepherds Bush Empire in December.

November 2002 saw the release of "Flock, The Best Of The Mutton Birds", a compilation which took selections from each of the band's four studio albums, along with a new recording of the Sneaky Feelings track, "Not To Take Sides".

".....unpretentious ingenuity, freshly-baked-this-morning melodies and dark pensive lyrics" - The Times


".....a no frills deliriously tuneful experience" - The Sunday Times


".....a perfect example of what real songs sound like" - What's On


"In the first five songs on this record, there's more melody and harmonic reverberation than on the last album by more or less anyone you'd care to name" - David Hepworth, Mojo

Rain, Steam & Speed

http://rapidshare.com/files/80334702/Mutton_Birds_-_Rain__Steam_and_Speed_p1_.rar

http://rapidshare.com/files/80344066/Mutton_Birds_-_Rain__Steam_and_Speed_p2_.rar


Flock, The Best Of The Mutton Birds

http://rapidshare.com/files/80130380/Mutton_Birds_-_Flock_d1.rar

http://rapidshare.com/files/80222234/Mutton_Birds_-_Flock_Part2.rar

Karma County - Into the Land of Promise & Good Things Come to Me EP

When Karma County first arrived on the music scene in 1995, the Australian music scene was still in the grip of the Seattle Sound. They walked on to the stages in Sydney with an acoustic guitar, a double bass, a snare drum, a box of percussion and a voice. Since then, they have waltzed their way into the hearts and minds of music fans all over the world.

From the acoustic strummings of "Postcard" to "The Men Who Ran Away From The Circus" they have ranged across an eclectic music terrain to conjure their own sonic landscape - lush, melodious, intelligent, emotive songs and sounds.

Their artistic independence has helped them maintain their edge through raw talent and a hands-on approach to the music business. Drummer Stuart Eadie creates and co-ordinates the band's visual imagery (album sleeves, t-shirts, web design, adverts), singer/guitarist Brendan Gallagher produces the music while bassist Michael Galeazzi (a.k.a. Mr Enthusiasm), rings them all up, and anybody else who will listen, and tells them what legends they are.

In early 1999 the band signed a deal with Melody Management and Universal publishing. In the same year their third album, "Into The Land Of Promise" was released on license through Warner Music. This album yielded two singles "Secret Country" and "The Men Who Ran Away From The Circus". Both singles gained airplay on Triple J and other ABC radio stations nationally.

"Into The Land Of Promise" took out the Year 2000 ARIA Award for Best Adult Contemporary Album .

http://rapidshare.com/files/80260100/Karma_County_Into_the_Land_of_Promise.rar

New Pornographers - Twin Cinema

The New Pornographers: A.C. Newman (vocals, guitar, E-bow, harmonica, pump organ, synthesizer, xylophone); Dan Bejar (vocals, guitar, melodion, synthesizer); Dave Carswell (vocals, slide guitar); John Collins (vocals, E-bow, synthesizer, bass guitar); Kurt Dahle (vocals, drums, percussion); Neko Case (vocals); Todd Fancey (guitar); Todd MacDonald (mandolin); Tyr Jami (cello); Shaun Brodie (trumpet); Blaine Thurier (synthesizer).

Additional personnel: Kathryn Calder (vocals, piano); Nora O'Connor (vocals).

released 2005

The follow-up to indie-rock collective New Pornographers' lauded ELECTRIC VERSION, 2005's TWIN CINEMA expa
nds on that album's power-pop sound. Here the group, masterminded by singer/multi-instrumentalist A.C. Newman, has added a new member--vocalist/pianist Kathryn Calder (Newman's niece)--while both the songwriting and arrangements have become more adventurous.

The energetic title track sounds like an unlikely collaboration between Wire and Big Star, while "The Bones of an Idol" recalls mid-1970s Brian Eno. As always, alt-country star Neko Case steals the show, particularly on "These Are the Fables," an urgent, piano-based tune that spotlights her potent Patsy Cline-on-caffeine vocals. Destroyer's Dan Bejar also contributes a handful of songs, including the quirky T. Rex-meets-New Wave track "Broken Beads." The New Pornographers have enough talent and imagination to weave their various influences into their own unique sound, and the result is a buoyant, engaging collection of songs. Although some might have doubted that the band could top ELECTRIC VERSION, they may have done exactly that with the ambitious TWIN CINEMA.

http://rapidshare.com/files/80249187/New_Pornographers__The_-_Twin_Cinema.rar



Sunday, December 30, 2007

Nada Surf - Let Go & Lucky

Nada Surf is an American alternative rock / indie rock group formed in 1992. The New York band consists of Matthew Caws (guitar, vocals), Ira Elliot (drums, backup vocals) and Daniel Lorca (bass, backup vocals).

The band is perhaps best-known for the song "Popular" from their 1996 album High/Low.

‘Let Go’ released in 2002

Rolling Stone (2/20/03, p.62) - 4 stars out of 5 - "...LET GO is an excellent rainy-afternoon album, full of gentle and melancholic beauty, with echoes of Love and the Beach Boys..."


Magn
et (4/03, p.103) - "...Nada Surf has consistently produced worthy tunes, but LET GO is a near-perfect record to hold onto with all the might you can muster..."


Mojo (Publisher) (1/03, p.74) - Ranked #29 in Mojo's "Best Albums of 2002" - "...A revelation: 12 literate songs of consumptive love lives, full of big melodies..."

What we have here is their yet to be released ‘Lucky’, guitar driven melodic rock at its best. If you don’t know these guy, give it a listen….. great songs.

I’m doing up my own set of ‘Nada Surf’ acoustic renditions…. post them soon

Let Go (2002)

http://www.mediafire.com/?8djobhanyyf


Lucky (2008)

http://rapidshare.com/files/80243695/Nada_Surf_-_Lucky2008.rar

The Bats - Fear of God

Perhaps no other band conveys comfort and familiarity while simultaneously taking the listener to dark, unexplored areas as in the manner of The Bats. Their shimmering, infectious melodies and brightly chiming guitar sound is reminiscent of American college rockers R.E.M., 10,000 Maniacs, and Miracle Legion, although they have not garnered the international cult following on the level of many of their peers. Yet The Bats remain New Zealand's grandest export, representing the best of "kiwi-rock" and the defining Flying Nun moment.

The Bats came together in Christchurch, New Zealand in 1982. The unit was essentially thrown together by Robert Scott, former bassist for the massively influential The Clean, as an outlet for his own songs. He became lead guitarist and prime vocalist, while ex-Toy Love member Paul Kean took on bass and Malcom Grant became drummer. The lineup was complete with guitarist Kaye Woodward, who's gleaming harmony vocals would come to be a defining presence in the band.

Fear of God (1991, Flying Nun), couldn't have been better. It showcased their foggy brightness coming to a point of solid maturity. The songs were varying, from the breezy "Boogey Man" to the strangely dark "Fear of God". The Bats were not only something utterly original, but clearly one of the most creative bands to emerge in recent times.

http://rapidshare.com/files/80111161/Bats__The_-_Fear_o_f_God.rar

The Screaming Blus Messiahs - The John Peel Sessions

For the unconverted, the Messiahs in their prime were an unholy amalgam of blues, punk, country, and rockabilly. The foundation was the muscular rhythm section of Kenny Harris (drums) and Chris Thompson (bass). On top of this rode Bill Carter's stream-of-consciousness vocals and stuttering, howling guitar.

They were a dangerous, unpredictable band, driven by an obsession with cars, religion and Americana. Their view of the US was filtered through the dark lens of Thatcher's Britain, and the music was powerful and always seemingly on the brink of madness with Carter's borderline insane vocal improvs.

The Peel Sessions
Strange Fruit (SFPS 003), 1986

Side One
1. Good and Gone 2. Someone To Talk To
Side Two
1. Tracking The Dog 2. Let's Go Down To The Woods and Pray

All tracks written by Bill Carter
Produced by Mark Radcliffe
Recorded 24th July 1984. First Broadcast 2nd August 1984

http://rapidshare.com/files/80237665/Screaming_Blue_Messiahs__The__-_John_Peel_Sessions_EP.rar

The Dubrovniks - Audio Sonic Love Affair

The Dubrovniks were an Australian rock band formed in Sydney in 1988. The band's name was coined from the fact that founding members Roddy Radalj and Boris Sujdovic were born in Dubrovnik, a town in Croatia. Both Radalj and fellow founder James Baker had been founding members of Hoodoo Gurus (as Le Hoodoo Gurus).An inner-city super group. The bands clattering yet accessible brand of rock and roll was drawn along the lines of The Troggs met T Rex by way of the New York Dolls. Audio Sonic Love Affair was released in September 1990

Members

  • Glen Armstrong — (guitar, backing vocals) (1992 — ?)
  • James Baker — (drums, percussion) (1988 — )
  • Christopher Flynn — (guitar, vocals) (1989 — ?)
  • Roddy Radalj — (guitar, bass, vocals) (1988 — 1989)
  • Peter Simpson — (guitar, piano, vocals) (1988 — ?)
  • Boris Sujdovic — (bass, guitar, vocals) (1988 — ?)

http://rapidshare.com/files/80230300/Dubrovniks_-__Sonic.rar

Clouds - Penny Century & Bower of Bliss EP

thanks to cobber

Clouds were an indie rock band from Sydney, Australia formed in December 1989. The core of the group consisted of frontwomen Jodi Phillis (guitar and vocals) and Patricia "Trish" Young (bass and vocals). The line-up of Clouds changed several times with different drummers and lead guitarists. Clouds' music was distinguished by rapid and unusual chord changes, creative bass guitar, and Phillis and Young's vocal harmonies.

Clouds secured a recording contract with Red Eye Records in 1990 and began recording the Clouds EP in May which was released in October, including the iconic Cloud Factory. The following April the Loot EP, featuring "Soul Eater" was released. In June recording for the Penny Century album began and was released in October 1991, reaching number 14 on the national mainstream charts in Australia. Two singles were released from the album: "Hieronymous" and "Anthem."

Also included is the Bower of Bliss EP released in 1992.



http://rapidshare.com/files/80101033/Clouds.rar

Dinosaur Jr - Ear Bleeding Country

Dinosaur Jr.: J. Mascis (vocals, guitar, piano, organ, keyboards, bass, drums, tympani, chimes, percussion); Mike Johnson (vocals, guitar, bass); Lou Barlow (vocals, ukulele, Casio, bass, tapes); Murph (drums).

Additional personnel: Tiffany Anders, Kevin Shields, Bilinda Butcher (vocals); Don Fleming (guitar, background vocals); Greg Dwinell (pedal steel guitar); Donna Guager (piccolo, trumpet); Sean Slade (mellotron); Jay Spiegel (tom toms); Lee Renaldo (background vocals).

Recorded between 1985 and 2000.

Dinosaur Jr. first emerged (as simply Dinosaur) from the Massachusetts punk scene in the mid-1980s with provoking, genre-bending-with-just-a-dollop-of-pop releases on stalwart indie labels Homestead and SST. With J. Mascis' hauntingly off-key half-growl, half-howl lurking under layers and layers of distortion, fuzz, and drone, they were locks to bend the ear of an adoring underground radio cult, but the longest of shots to garner million-selling records, let alone touch the pop charts. However, Dinosaur Jr. did all of the above, ruling college radio for almost a decade in the late-'80s and early-'90s, selling a ton of albums, even scoring a MTV Buzz bin aided Billboard pop hit in 1994 with "Feel the Pain." In true indie-rock fashion, after that hit Dinosaur Jr. faded out after one mostly forgettable final album.

The aptly named EAR-BLEEDING COUNTRY evenly collects cuts chronologically from Dinosaur Jr.'s seven albums, an EP, a single, while also including a couple tracks from J. Mascis' more subtle, yet still oddball and compelling non-Dinosaur recordings. Of special note is the inclusion of the at first glance mocking, yet in reality furiously reverent cover of the Cure's "Just Like Heaven" and the Beatlesque jagged-horn-laden "I'm Insane" originally hidden on the aforementioned final album. My favourite ‘Take a Run at the Sun’ a little like the ‘Beach Boys’ meet ‘Jesus and Mary Chain’.

http://rapidshare.com/files/80074765/Dinosaur_Jr_-_2001_-_Ear_Bleeding_Country.rar

Go- Betweens - The Lost Album 78 'til 79

thanks to overhere

Made in Forster's bedroom in 1978 and 1979. Forster has been quoted as saying that this is the band's first album and while there is romanticism to such a statement, in reality there is not enough here for a whole album. That said, it is a clear indication of the Go-Between's 1970s sound and on tracks like Long Lonely Day and Obsession with You, there is so much raw potential that you can almost hear what might have been had Brad Shepherd of the FunThings (and later - the Hoodoo Gurus) been coaxed into becoming a Go-Between.

This is definitely a Robert Forster album - his distinctive songwriting skills well in evidence, the trademark jerky staccato of his guitar and yet the revelation is the imaginative and inventive bass playing of McLennan.

The Go-Betweens, more than any other Australian band, have a well documented history, with bootleg demos in existence from nearly all phases of their career. This one is important in showing their developmental years and for laying their roots in the sound of the 1960s out for all to hear.

Band Members

Robert Forster
Grant McLennan

Adele Pickvance (2000–2007)
Amanda Brown (1986–1989)
Carrie Brownstein (The Friends of Rachel Worth)
Corin Tucker (The Friends of Rachel Worth)
Glenn Thompson (2002–2007)
Janet Weiss (The Friends of Rachel Worth)
John Willsteed (1987–1989)
Lindy Morrison (1980–1989)
Lissa Ross (1978)
Robert Vickers (1983–1987)
Tim Mustapha (1978–1979)

Bruce Anthon (drums) late 70's

http://rapidshare.com/files/80024923/Go-Betweens_-_The_Lost_Album_78__til_79.rar

Go-Betweens - That Way

Went through many line-up changes in their career, from the double act of McLennan and Forster, on the look out for any drummer to play along, to the best loved trio of the above two and drummer Lindy Morrison, through to the line-ups including multi-instrumentalist Amanda Brown. This incarnation of the band was on a UK tour in 1983. The sound is ripped from the video and is not great in parts but it is a testament to their music and a must for all fans.

'The Go Betweens made many friends during their ten years plus as a band. This simple recording of an early gig in a Northern club has special charm, and is left as a document to the bands strength and character. Recorded live at the Manhattan Club, Bradford. 11 April 1983.' - Screenedge.

Tracklist:

Hammer the Hammer
Before Hollywood
A Bad Debt Follows You
As Long as That
By Chance
Two Steps, Step Out
Your Turn, My Turn
Cattle and Cane
Ask
That Way


http://rapidshare.com/files/80048765/Go-Betweens_-_That_Way.rar

The Shins - Wincing the Night Away


The Shins: James Mercer (vocals, various instruments, programming); Dave Hernandez (guitar); Marty Crandall (organ, synthesizer, bass guitar, percussion); Jesse Sandoval (drums).

Recording information: Supernatural Sound, Portland, Oregon.

With their music referred to as "life-changing" in the popular 2004 film GARDEN STATE, the Shins, already a revered indie-rock band, recorded their third Sub Pop studio album under the weight of high expectations. Finally, in early '07, the group emerged with the strikingly ambitious and accomplished WINCING THE NIGHT AWAY.

On the opening "Sleeping Lessons," woozy keyboard lines and the wavering vocals of frontman James Mercer immediately announce WINCING as a departure, but slowly the drifting atmospherics give way to a guitar-driven rave-up. Much of the record echoes this more expansive sound, with the shimmering "Phantom Limb" hitting a cavernous crescendo, and the dreamy, synth-laden "Red Rabbits" bordering on ambient territory. Of course, the Shins haven't forsaken their knack for pop-perfect tunes, as best evinced by the exuberant "Australia," proving that they can temper newfound experimentalism with the quirky, easy-going charm that garnered them attention in the first place.

http://www.mediafire.com/?0hymlr52edy

INXS - Elegantly Wasted


INXS (pronounced "IN exCESS") are an Australian rock and new wave group. The band was formed on 16 August 1977, in Sydney, Australia. INXS began under the name The Farriss Brothers which was created at Davidson high school NSW where they began but the band changed it just prior to the release of their self-titled début album in 1980, INXS, which featured "Just Keep Walking," their first Australian hit single.

Elegantly Wasted is the 10th studio album by the Australian rock band INXS. It was released on 15 April 1997 and is the final album recorded with lead singer Michael Hutchence who was found dead in a Sydney hotel room on November 22 of that year.

At the 1996 BRIT Awards, Michael Hutchence presented Oasis with an award, after which their characteristically arrogant lead vocalist Liam Gallagher remarked "Has-beens shouldn't be presenting awards to gonna-bes". During the chorus of "Elegantly Wasted" the band can be heard singing "I'm better than Oasis."

Don't Lose Your Head" is featured on the soundtrack for the film Face/Off starring John Travolta and Nicholas Cage. Clips from the movie also appear in the music video.

http://www.mediafire.com/?3cdxwmgmc2n